Severely Even
Play starts written on a bad destiny intersection ○ Verses are preached on death’s lips at the end of the tunnel ○ Destruction’s paints shimmer with every brush stroke ○ Torn meats are put on display by unbelievably joyful despair ○ Whispers about their desire in every turn ○ Gusted revelation of dream on how ambiguous time is ○ While delirium asks what difference does mad and joy have? ○
A Palm of Fate
Intersection has some truth. Grace shimmering on a pole of three colors who speaks stop, go, be wary. Bypass of humorous stories, along with a woe percussion sung in a scripture of fate opened and closed. Highway of written predestination on a face of creation and free will on numb faces of gods. Behind the veil, what do they serve. Every story, debates, and dreams about the sea and of knowledge in every bank of ecstatic course and anguish breeze.
Offsprings
This story begins like how any of Adam’s children's romances begin: reluctance and delight smelted because of how fake faces are and how echt masks are A fire broke with timid bark warm burning conversation with meat for walls and longing on its’ six edges No need to be apprehensive when hiding desire within ensnared verses how powerful every loneliness eaten away by frail misery Of course, every zest paid off with lips embracing and taking away tongues from another amongst kilted silhouette smiles of Janus and Narcissus Something is wasted afterward drowning in routines and suits hope already rises but alas, lovers already haste
Maat’s Spell
Iron and water course and thaw from gaped arms, gather on the tip of the middle fingers, yet they won’t stop dripping until the inside of the skull feels claustrophobic And gone then a woman with the eye of Horus and ankh on her neck raises her arms already drenched in blood, then guide her to a lasting adventure among gardens Of death and to Maat, she carries forgiveness against Anubis’ scale along with Charon, who asks for a piece of drachma for their service to bring across souls Possession of Hades also the woman with ankh necklace who rides a pale horse by the end of the day wandering around reeds and Elysian flower beds while harvesting retribution from the living realm Is a wit for the woman with Horus symbol makeup in her eyes, considering how serious death is to be joked about except for people who decided to patiently take care of hopes.
To Speak of Dreams
I speak to creation verses within yearning places that surmount lines of arrogance and ignorance. Albeit it is truly self who couldn’t escape from bad verdicts in slumbers, “responsibility is the area of existence over which I exert a certain amount of control and influence.” While your son’s head is the ill cause of your endless end.
This story is harvested from a tale’s yard with two stanzas, secret and mystery, and two brothers locked by misery to bash one’s head to another because The Present is starving enough to chew meats but not crops.
“By longings who born from their womb,” you said dreams are solitary spaces yet better than glass jail for seventy years. When stories, secrets, and mysteries crumbled and civilization suffered from insomnia, “that is why the world was anxious for a whole century.” Because what is the use of hell without those who dream of the heavens?
While a dramaturgy is written, the poet is bound by a promise to play a comedy that tells dreams on summer nights, culminating in the story of kings. A common man is drenched by visions of a kingdom since his desire to be an emperor because the stall does not result in anything except famine and leprosy. Dream put hope in citizens’ heads so as the dead of The Emperor is being marched like the wise man he was.





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